Le Corbusier Design

Written by Nicholas Kamuda
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Le Corbusier design is as representative of modernism as the work of any designer or architect alive today. Though he went through a few definite periods, Le Corbusier's work can undoubtedly be place along a continuum of design ideas and strategies for living in the modern world. Throughout his lifetime, he refined his ideas on buildings, cities, and form to encapsulate every aspect of production, form, and aesthetics.

The Development of Le Corbusier Design

In his youth, Le Corbusier worked for both the architect Auguste Perret and the designer Peter Behrens, who was one of the founding industrial designers of Bauhaus-era Germany. Le Corbusier was quick to incorporate Behrens's ideas about mass production, function, and new materials into his ideas for furniture and buildings. Soon, Le Corbusier design could soon be encapsulated by his famous phrase, "A house is a machine for living in."

This central idea is reflected in both his early architectural plans and his furniture designs. Shared between all of his designs are his ideas of geometry, weight, and the manufacturablity of new materials. Tubular steel became a favorite in his furniture designs, breaking up planes of black as his thin rows of windows break up the plane of an exterior wall.

Over time, Le Corbusier design helped shape the look of Modernist architecture with what is known as the International style. He soon began looking beyond buildings, designing grand schemes for entire urban centers, such as his 1925 Plan Voisin for Paris. Le Corbusier design for cities stressed functional centers and transit routes that would connect millions of citizens living in glass towers and dozens of different "zones." Though Le Corbusier received a lot of critical flak for his urban plans, his contributions to modern design were often copied and influenced countless numbers of young designers.


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